Herpes Getting Worse?

WITH ART ELSEWHERE

In this warm morning Thursday, I offer an animation of icons very representative of contemporary art. As they draw from the words attached to it is a "video used in the learning process of Multimodal Communication, Arts and Design Institute Herman Hollerith." I thought it was interesting to show it because such tools can be useful when approaching the world of contemporary art to certain sectors of the public (children, elderly) who do not have the means to decode these coded images. Although not without some note kitsch (Gioconda parlando the viewer) in general is quite attractive. Judge for yourselves.

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MIKEL: THE SPANISH MYSTERY

Micaela Rodríguez Cuesta, artistically known as MIKAEL . Triana, beautiful, black eyes torn stealing sleep and a mysterious voice that comes from the earth, its land of Andalusia, the birthplace of songs. Came into the world in the Triana district sevillanísimo early age and debuted in the radio program RIDE, Bobby Deglane. Participated in the music scene in the capital of Spain and several low-budget films in which his presence was a teaser for the viewer: The Lady Tabarín , Gringo or 1930 Diggers. In Mexico she met the greats of English intellectuals in exile, Felipe Leon for example. These circumstances that shaped the character and unique as the young Andalusian art. On his return to Spain in the decade of the "60, achieved major hits - The moon and the bull, Rio Manzanares, I have miedo torero or Luna of Spain -. Although undoubtedly the most ambitious and coherent path Mikaela was recorded at Generation poets "27 in the middle of the Franco regime. In 1964 vinyl impressed songs Popular Federico García Lorca , accompanied by the Symphony Orchestra of Madrid, achieving a flawless performance and unsurpassed to this day. Highlights of this album a masterful Nana de Sevilla, a colorful Chinitas Coffee or Grooms of Monleón . In 1968 it was the turn of Rafael Alberti's poems and his first stage, for Marinero en tierra, 's lover, and not see Green or Joselito in his glory, to music by Anton García Abril and supervised by Alberti himself. Although Mikaela always occupied a modest flat in the social sphere, Sevillanía through his world, the valuable interpretation forgotten poets made a repressive regime, the extraordinary professionalism that accompanied it to the end of his days and his voice so magical and mysterious well worth the sincere and humble tribute.